Preening like a peacock in blue satin and a feathered beret, Mixon generates almost all the play’s funniest moments, most notably in the second act when he’s outed by two army officers as a fraud.
The two leads, Ted Deasy as Bertram and Gina Daniels as Helena, are less successful - but it’s not entirely their fault. Neither character is especially honorable: callow Bertram shirks his new bride while trying to seduce another woman; conniving Helena traps him into marriage and then tricks him into fidelity. Physically mismatched, the tall, blond Deasy and the petite, olive-skinned Daniels show no sparks in their brief scenes together; Deasy’s Bertram has more chemistry with his would-be conquest Diana.
Maybe Sullivan intends all this to underscore the couple’s rocky forced union. But then why pose them in a tender kiss at the final curtain? Bertram’s sudden affection for Helena doesn’t feel credible. Nor do we buy that their lopsided marriage will be a happy one. Enjoy “All’s Well” for Parolles’ buffoonery, but don’t expect to swoon over its romance.
Source: sltrib.com
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Source: news.scotsman.com
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