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Love is the drug: Ralph Fiennes learns about Africa, romance, and evil pharmaceuticals

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Ralph Fiennes hadn’t read John Le Carre’s controversial thriller The Constant Gardener when he was approached about the film version. So he visited his favourite London bookstore and bought the book. “I had heard very good things about it,” he says now.

By the time he finished Le Carre’s savage indictment of the international pharmaceutical industry – particularly its use of poor, unsuspecting Africans as human guinea pigs for new drugs with dreadful side effects – he was incredulous.

“My first reaction was: Does this sort of thing go on? Apparently it has gone on. I don’t know whether it goes on any more.”

What Fiennes did know was that the novel touched a nerve with him – and so did Jeffrey Caines’s screen adaptation when he finally read it. Then he felt compelled to read more literature about “Big Pharma” and its hundred-billion-dollar profits.

“I consider myself pretty socially aware. I like to be informed. I read. I listen to the news. I like to be informed by depth articles, so I’m an avid reader of magazines like The New Yorker, The New York Review of Books and The London Review of Books. And I read the papers.”

His social conscience has led the 42-year-old actor to an involvement with the United Nations Children’s Fund, travelling on its behalf to Africa, where he has filmed public service featurettes that seek to alert the world to problems of child poverty on that continent. And making this movie has altered his conscience further – which is why he is involved in the new Constant Gardener charity trust set up by the film’s producer, Simon Channing Williams, to assist impoverished areas of Kenya, where much of the film was shot. Thanks to the work of the trust, there is now fresh water in one region as well as road improvements. “Also we’re building a secondary school there,” Fiennes says.

Channing Williams has been the driving passion behind the film, which opens next week. The British-born producer had read the novel in manuscript form in 2000 and immediately went after the film rights.

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